Edgar Wright's latest film? Last Night in Soho A nostalgic but terrifying journey through the elegant, seductive and luminous 60's. Here's everything we know so far about the psychological horror movie.
It's hard to tell if it's a fever dream Last Night in Soho or an alternate reality when you're too caught up in the glitz and glamor of the rocking sixties, so much so that you don't realize what's real and what's not. As we mentioned, the psychological thriller is the brainchild of British filmmaker Edgar Wright.
After his previous acclaimed works as Baby Driver, Scott Pilgrim vs. The World and, perhaps more popularly, Shaun of the Dead, Wright brings this glamorous yet terrifying tale that takes you back to the West End nightlife of the 1960s. Eloise (Thomasin Mckenzie), a fashion student, arrives in London and is transported to 1966, where he meets a nightclub singer, Sandie (Anya Taylor Joy). Last Night in Soho It sounds exciting? Expect to see her involved in strange and horrible things.
The film is co-written and directed by Edgar Wright, who is also a co-producer on the film. Krysty Wilson-Cairns is the other co-author of the project. Last Night in Soho Now, if she's already intrigued you by the story and the background, there's more! Read on, because we've put together everything we know so far about Last Night in Soho.
Production company Focus Features has released two official trailers for Last Night in Soho so far. The first trailer was released on May 25, 2021 and takes a look at Eloise's life, as she moves to London, and meets her with Sandie. Neon-tinged scenes are executed with Petula Clark's song "Downtown" playing in the background.
The second trailer was released more recently, on September 8, 2021. This clip takes us a bit further into the story and it appears that Eloise and Sandy have some kind of psychic connection between past and present in which Eloise is a middle of some kind.
Both clips give us the best glimpse of what to expect from this movie. Although it seems that much of the story has been revealed, we are sure that there are many more surprises in store for the film.
Last Night in Soho had its premiere on September 4, 2021 at the 78th Venice International Film Festival. The film was also screened at the Toronto International Film Festival and the Strasbourg European Fantasy Film Festival in September 2021.
The film was initially scheduled for release on September 25, 2020, but due to the Covid-19 pandemic and resulting delays, it was first postponed to April 23, 2021, then the date was further postponed. until October 22, 2021 and finally the following weekend.
According to the latest news, Last in Soho will open in theaters in Ireland, the UK and the US on October 29, 2021.
The talent of Anya Taylor-Joy, the quality of Edgar Wright and a journey through time are, without a doubt, the attractions of Last Night In Soho, the psychological thriller that will be released under the production of Focus Features. However, another factor that makes the film one of the most anticipated releases of the year has to do with its soundtrack. The soundtrack written by Stephen Price conquered viewers even before they saw the film and here we tell you why.
Music is one of the key points when thinking about the making of the film: with different songs and sound effects, climates are generated and the story that is being told is completely transformed. And it seems that Edgar Wright's film has understood this perfectly: its musical tracks could be heard separately from the scenes and would work almost like a pop album.
However, knowing the history of Last Night in Soho is essential to understand the context of each of the themes. The next film starring Anya Taylor-Joy and Thomasin McKenzie tells the story of Eloise, a young woman who lives in London and who is transported to 1966 where she meets her great inspiration called Sandie. The woman works as a singer in a nightclub but time begins to fall apart and little by little everything is contaminated.
This is not the first time that Stephen Price has worked together with director Edgar Wright: they already did it in Baby Driver, where sound is the protagonist, and in The Word’s End and Scott Pilgrim vs The World. On this occasion, the typical music of the 60s sounds somewhat reversed but without losing its essence. In fact, Anya Taylor-Joy in the skin of Sadie sings Downtown by Petula Clark with a lot of style as is customary in her. Also, her director selected lesser known versions of traditional songs to be part of the soundtrack.
Last Night in Soho was one of the most anticipated films in Sitges 2021 and also of this cinephile season, so the first thing we will say after seeing it is that it does not disappoint. Director Edgar Wright makes his most ambitious, personal and serious film in this story of mirrors game between characters, eras and cinematographic genres. The first hour is splendid and the director opens the jar of essences with a virtuosity in the staging rarely seen. It is a pity that during the second part, the psychological thriller becomes a bit unbalanced due to an excess of repetitions and unnecessary underlines, as well as twists of the script in search of surprise and that do not finish convincing.
Although the film has the participation of the fashionable actress, Anya Taylor-Joy, in this case an amazing Thomasin McKenzie eats her toast, who already showed her talent as a young girl in that indie jewel called Do not leave a trace (Debra Granik, 2018). Both actresses are the face of the same coin, that of the American dream, that of the passage from innocence to adulthood, that of the discovery of the dark side of the desired success. The city of London then turns into a monster with sharp teeth that turns dreams into nightmares.
The protagonist is a young dressmaker who moves from her hometown to the big city to enter an important Fashion Academy. Her experiences will merge with those of a girl who in the 60s made the same journey to become a singer and ended up immersed in an underworld as dark as it was destructive. Present and past are placed on the same temporal plane through the dreams and hallucinations of the young dressmaker who seems to live the life that the singer had in the first person.
It is there that the director achieves some of the most beautiful and fascinating images in the staging of him playing with space, light, mirrors or other resources that refer us to De Palma or Argento. Last Night in Soho is visually stunning and musically also thanks to the great use of the songs of the time. A hypnotic experience with feminist discourse in the background that does not lose interest even during its clumsy and conventional outcome.